When was the last time you had goosebumps due to a moment of trepidation? The first glance at the cover of Shadow in the Mirror gives one the shivers. The foreboding face staring menacingly from the darkish blue front cover of the novel is enough to make a still mind quake, and stop with a screeching halt, the wavering mind. The title doesn’t help either. It adds to the eerie feeling. Not to mention the malevolence behind the eyes… those eyes.
The first chapter doesn’t disappoint… not one bit. The plunge into the abyss is horrific and heart-wrenching. Nita, a pregnant girl, falls from the balcony of her apartment in Bangalore. This is the background of the novel, and the stage couldn’t have been set better.
The novel is set mainly amidst the bustling city of Bangalore and yet travels along the sleepy hamlets of Kerala, allowing a whiff of coconut trees on a rainy day. The move to Kerala is a welcome one, as it takes the reader away from the gruesome death and its evil-eyed aura hovering just above the surface, waiting to overpower the reader any moment.
Shadow in the Mirror takes readers across a whirlwind of emotions, as the novel starts shaping itself through threads of small stories of different people. The main characters etch themselves firmly in the minds of the readers, baring their very souls. The difference in characterization among the leading people of the novel is by a good margin and there are no similarities leading to awkward misunderstandings.
The relationship between Krish and Nita is overwhelmingly innocent and dripping with love and affection for each other. Deepti Menon has intricately weaved a bond here that delves deep into the psychology of a Man and a Woman, their understanding of each other and their sacrifice for each other in their career and everyday affairs.
Kavitha is a character drawn from the waters of a torrential stream. The Dr. Jekyll and Hyde – sort of characterization is not a joke. Deepti Menon has pulled it off with elan! One moment the reader sympathizes with Kavitha, whereas the next moment fingers twitch, desirous of strangling her.
Eshwar and Sudha would never be forgotten by any reader, for the sheer ferocity of the husband and wife love that melts the reader. Eshwar is the epitome of a doting husband and a responsible father, as Sudha stands by him in every possible way. Sudha’s character is like that of an immovable mountain. Sorrow assails her unawares. She stands tall – breaking asunder the traditional hold that the society expects.
The novel is pleasantly guilty of sub-plots that the author has tastefully reworked from her life and that of her acquaintances. This has given a personal touch to the novel, making it a hybrography (Pardon the licence).
Deepti Menon’s mastery of the Language is evident from the first chapter. The reader is forced to stop reading the novel at times and give a wistful smile, giving way to reminiscences. Literary flavor abounds in the novel, the syntax of the Language exploited to the maximum by the author. The choice of words, the exclamatory endings, the casual reference to other literary works of art, the use of metaphors… all point to one thing – the ‘well-read’ personality of Deepti Menon. Each chapter has a point of delight for a connoisseur of the English Language. A rare phenomenon or should one call it PenOhMenon!
Readomania has added a feather to its cap by publishing Shadow in the Mirror. The novel gives importance to women, gives credence to the independence of women and at the same time brings out the infallibility of women. The author has tastefully polished the novel from a maze of small stories which invariably find their way into the mainstream, delighting and scaring the reader alternately along the way. Emotions warring in the minds of the readers can’t but wonder what’s next in offing from Deepti Menon.